Usually, I think it's best to play the song for them once and have them mix it up on the spot, because when the logical mind gets too involved, I think it kills a lot of magic. I just think the subconscious mind is so much smarter, and unfortunately, people do not trust their subconscious. A lot of people just don't access to all of that, the secret genius that's inside of them. And it's so much easier to get it out of a musician if you don't give them a chance to overthink.

You understand your place in it, and you feel an incredible love for everyone and everything, and you're just sublimely happy, and then you're suddenly jolted back to reality, and you've got to deal with the world as it is

I was a sound engineer, and all of these gurus and shamans would come, and I would record the workshops they were teaching. And I took part in a shamanic journeying workshop, and this woman leading the workshop had brought Ayahuasca, which is a Peruvian hallucinogen and contains DMT.

The closest thing I could think of that men go through is like a prisoner of war being tortured, and then coming back from that experience. It's traumatic and grounding and makes you commit to the world. Also, because you want all of these things for your kid.

Why even live? If that's your goal, if you're just clamoring your way to the top, I mean, why even have a life? Somebody was telling me the other day about the lives of investment bankers who work ninety hours a week and how it affects their patterns of consumption.

Before I had a kid, I was off in some kind of cosmic state all of the time, and thinking about the world beyond, thinking about intellectual stuff. And then, after I had a kid, just the whole process of giving birth is just so earthy and grounding and insane and it's all just an intense physical ordeal.

I started off in architecture, and I just couldn't fit into the vibe there. I just felt more at home in the Art Department, so I just ended up there. But I would be an architect if it didn't require so much engineering.