I just know of so many musicians who burn out because they go on tour and they have to play their one-hit song over and over and over and over again. And they are not moved by their own song. And then when you go and see them perform there's something off.

I was a sound engineer, and all of these gurus and shamans would come, and I would record the workshops they were teaching. And I took part in a shamanic journeying workshop, and this woman leading the workshop had brought Ayahuasca, which is a Peruvian hallucinogen and contains DMT.

You understand your place in it, and you feel an incredible love for everyone and everything, and you're just sublimely happy, and then you're suddenly jolted back to reality, and you've got to deal with the world as it is

The closest thing I could think of that men go through is like a prisoner of war being tortured, and then coming back from that experience. It's traumatic and grounding and makes you commit to the world. Also, because you want all of these things for your kid.

I'm totally a narcissist, so I was doing all this performance and having lots of weird ego time, and learning to set aside my love for the ego and find a deeper love for myself and through that seeing myself as one with all beings. And through loving myself, loving all people in the world, that was my cure for narcissism, the only cure.

I remember reading a book that was on songwriting at some point that I found in my dad's store, and just... I did not relate at all. I've always hated structure of all kinds, it just doesn't work for me. I can never fit into the schedules of other people. It's like putting a schedule on your song, and it doesn't allow you to be moved by your own music.

Most of the musicians that I'm playing with now have jazz backgrounds, so they're comfortable with improvisation. And they all know to make eye contact with me, and I'll give them some kind of sign when I think that the song's ending. Or maybe I don't even have to, because they all sort of feel it at the same time.