I came to love the rhythm of the sound effects and the whole experience of listening to a story. I made a lot of stuff with my hands and so I loved being free to not watch a screen. I still love it to this day.

I feel very strongly that a film isn't just a story, but the WAY that a story is told. It's why I am such a great fan of Hitchcock because it really is all in the filmmaking.

The worst thing that could happen to a filmmaker is growing up wanting to be a filmmaker.

Digging up graves is backbreaking work. So I just like that the genre of horror can embrace so many different styles and textures.

Glenn and I were listening to a radio show in the car, and he said, "Glass Eye Pix should do radio plays." I loved the idea of working in a different medium. We've made comics, books, movies, video games, models, advent calendars, why wouldn't we try audio plays?

The biggest difference for me is that the tales really have no logical outlet, no particular infrastructure in which to present them as you would have with a film festival. There's no IMDb for audio dramas. So there's a lot of work with no particular reward.

The nature will continue, it's our existence that is finite and you are given this gift of life and you make your way with it, but fate and natural disasters will continue on.