Working with younger artists kind of tests your judgment. You're not always right, but when you are, it's exciting.

Working with younger artists kind of tests your judgment. You're not always right, but when you are, it's exciting.

Professionally, what comes first is representing the artist.Whether they're alive or dead.

I don't think you can tell somebody how they should collect. I think it's just about being turned on by art.At the end of the day, some people just kind of get it. They don't all get it in the same way or get the same artists, but it's a journey that excites them.

When a collector says, "You've got to educate me," or "What's a good investment?" then I don't know what to say. I have no idea. Let's face it, I'm probably going to recommend artists that I represent.

The art market is global now, and theres becoming more of an international consensus about what constitutes good art.

I play hard. So the critical stuff doesn't surprise me or bother me.