Working with younger artists kind of tests your judgment. You're not always right, but when you are, it's exciting.

A lot of artists are involved with fabrication. Artists today are making more objects and many of them need the participation of a dealer in order to facilitate and provide support for projects. So that has changed. But I don't know if what it means to be an artist has really changed. I hope that it hasn't.

The sun never sets on my gallery.

I never really took a proper art class in college. I just started reading art magazines and going to galleries.

For me, collecting is sort of a natural extension of being an art dealer, because if you don't want to collect the artist, then you probably shouldn't be representing them.

I play hard. So the critical stuff doesn't surprise me or bother me.

Professionally, what comes first is representing the artist.Whether they're alive or dead.