The so-called "secondary market" has also always been something that I'm comfortable with. I'm not a dealer who turns his nose up at that part of the business. I'm an art dealer - my primary responsibility is to represent the artist.

The sun never sets on my gallery.

I don't know what 'loyal' means.

I play hard. So the critical stuff doesn't surprise me or bother me.

The way you present your work has a lot to do with how people receive and regard it.

Working with younger artists kind of tests your judgment. You're not always right, but when you are, it's exciting.

I don't think you can tell somebody how they should collect. I think it's just about being turned on by art.At the end of the day, some people just kind of get it. They don't all get it in the same way or get the same artists, but it's a journey that excites them.