Basically, I'm afraid of everything in life, except filmmaking.

More than anything, there are more images in evil. Evil is based far more on the visual, whereas good has no good images at all.

It’s the opening of Manderlay in Cannes, and I’m sitting next to this guy who’s writing for a tiny fictitious French paper called ‘On the Sunny Side,’ and he’s writing a review on the film, and he’s obviously bored. Then he tells me about all the cars he owns, and how rich he is, and all these things... So, at a certain point, he says, "So what do you do?" Then I take out this very strange hammer we have in the Danish building business, and I say, "I kill." And then I kill him. It is as stupid as it sounds.

I think it's important that we all try to give something to this medium, instead of just thinking about what is the most efficient way of telling a story or making an audience stay in a cinema.

One of the things that got me thinking during therapy is that they say that fear is only thoughts, and nothing will happen because thoughts will never be real. And my thesis, or joke, in film Antichrist, is that they really do become real.

There is no creative expression of artistic value that has ever been produced by ex-drunkards and ex-drug-addicts. Who the hell would bother with a Rolling Stones without booze or with a Jimi Hendrix without heroin?

When I show a film at a festival, I am showing myself. Everything is at stake for me.