More than anything, there are more images in evil. Evil is based far more on the visual, whereas good has no good images at all.

I am crazy about my own films. The films I've just made I'm crazy about them. But then I don't see them for many years. It's like when you get a new child you're very crazy about this child but then after a few years you're like, "what was its name again?"

If one devalues rationality, the world tends to fall apart.

My films generally center around thousands of pictures being flashed in rapid succession to create the illusion of motion.

I think that sexuality is the part of human beings that is closest to nature. And nature is dangerous somehow, yes, if you put nature against civilisation, nature is definitely a threat.

I think working with actors is a little bit how a chef would work with a potato or a piece of meat. You have to kind of have a look at the potato or the piece of meat and see what kind of possibilities are in the ingredient. I know I'm using the wrong metaphor. I think my job is to see what potato is there and from there, just work under their conditions.

I'm fighting against my will to control. I think that is what I am doing. I would like to accept things in life, in all matters of life I would like to accept, but it's so difficult. I think we all have this struggle.