My films generally center around thousands of pictures being flashed in rapid succession to create the illusion of motion.

Evil gives you far more strings to pull. But I must say that I have never been interested in the psychology of evil, not in the slightest. Perhaps I'm not interested in evil, but in the dark sides of human beings.

I am crazy about time cuts. I have a theory that the audience tie everything together so they don't see time cuts but the time cuts give us the possibility of jumping in time, which means a psychological evolution can be cut down.

If there are some people that like the film and some people that do not, that's fine for me, because I do not intend to make very broad films.

A film has to be like a stone in the shoe.

We start with a rehearsal where the actors kind of bring what they think should be in the scene. But we film everything, and we use cuts of this first take, also.

My films generally center around thousands of pictures being flashed in rapid succession to create the illusion of motion.