For me, Twitter has given me a direct line to the world - it gave me an opportunity to be like, "This is my voice.

In LA you can't tell the teenagers and the moms apart, which is so strange to me. And then it's like, "Who is leading who?" Are the moms emulating the daughters? In which case we're going backwards - that's not how it goes - the mothers teach the daughters how to be. It's a very strange thing to me.

Being in front of a live audience again. I get that in my concerts but there's nothing like being on Broadway.

I'm such a goody two-shoes, I've never stolen a single thing. I would not be able to handle it. I would not be able to live with the guilt of having stolen something.

I think being young in a grownup world, I think it stunted me a little bit. I had to grow up too fast on the outside, but I didn't get to grow up on the inside in the way that you might if you're allowed to fail more.

Everything has become so pop-rock oriented that finding a role for a soprano, and finding an audience for a soprano, is tricky. Unless you're dealing with a revival, which is why I do so many revivals - because my specific tone and vocal quality lends itself to that type of writing.

My parents were in 'Brigadoon' on Broadway when I was a couple of years old.