I think being young in a grownup world, I think it stunted me a little bit. I had to grow up too fast on the outside, but I didn't get to grow up on the inside in the way that you might if you're allowed to fail more.

I'm such a goody two-shoes, I don't even taste the fruit at the grocery store. Like oh, are these grapes good? I can't even do that. I'm that much of a rule-follower.

I did a lot of lying. I went through a big lying phase when I was in like third and fourth grade. I told all my friends I was in Les Misérables, and I was not. I also told them I was an Indian princess. Also not an Indian princess.

I'm 35 but because I've been acting professionally playing women since I was eighteen years old - I never played a teenager - people constantly think I'm like ten years older than I am, which is a little hard on my ego.

That was my intention, was to have it be from the perspective of my high-school-aged self, and to try and emulate the music that I listened to at that time. So to write essentially like a pop-punk song about musicals. I wanted the dichotomy of the tone of the music with the lyrics and my singing voice.

If we had an audience to play to, the performance would have gotten too big. Sizing our performances to the camera was an important journey for me at least.

I'm not a big weird eater-of-things. I mean honestly I would say like for me, like escargot or sweetbreads is the weirdest thing I've eaten. But I haven't eaten like bugs or... not that I know of.