I made a commitment to myself: that I wanted to be an actress, and I wanted to do films that make a difference. Whether it makes someone laugh, or it has a moral to the story - it doesn't have to be an ethical film, but it has to move people. If it doesn't excite me, it's not worth doing - it's better to work on myself and my own life and wait until another great thing comes along.

It's interesting to talk to my mom about her character in Wild at heart, because she sees her as a mother who's just trying to protect her baby from a bad boy. I think that's why it works so beautifully - she has conviction about what she's doing.

It would be great to make a movie that had the style of a great '30's film.

I was raised by an actress, and I watched all those women turn 60 and ask, "Should I get face work?" And my mother and Anne Bancroft said to each other, "We are who we are, and we're not going to fall into that."

Private boarding schools and Catholic schools on the East Coast are something. Choate really ruined my father's life. He's had nightmares about Choate every since he went there. Treat Williams, who's a good friend, went to Kent School, in Connecticut. The stories I've heard about those places - didn't you have one nun who was just the worst nightmare?

It's always been a desire of mine to work with my parents, so Wild at Heart was a wish come true. The first day we did a scene together I came down the stairs and my mom pointed that finger at me: "Don't you dare talk to that boy again!" You know, I've seen that finger for 23 years. And I started laughing, she started laughing, then the whole crew broke up - in that moment, they all knew that she and I had been there before.

Unfortunately, overall, movies are a conglomerate. People buy and sell people in this business, which can get really ugly.