I don't turn my nose up at anything. If it's a great part, it's a great part. It's not like, "I don't make studio films; I work for David Lynch and maybe a few American Playhouse directors, but that's it" - I'd love to do a box-office hit.

Even if you've gone through an average childhood, you have girlfriends who get pregnant and then have to choose whether or not to have a child. And this stuff certainly makes you think about what you're taking on. I certainly want to have children, but I could never do it until I felt I loved myself enough, and wanted to bring someone into the world because I had some kind of security.

We like our archetypes and heroes to be what they are at face value. And life doesn't work out like that

You don't have to run away from life your whole life. You can really live. You can change. And you can be an agent of change.

Unfortunately, overall, movies are a conglomerate. People buy and sell people in this business, which can get really ugly.

As someone who has been asked to ask David Lynch what his movies mean for 25 years, I'm very careful about asking artists what their art means.

Obviously, the urge to molest children comes from some experience the person has had as a child, and he or she never worked it out. Watching Raymond Buckey describe how he loved working with the kids, I could sense this 11-year-old who'd stopped and never grown further on a sexual level.