I'm interested in that hybrid - the place between the real world and my imagination. There's a friction that's created between the things we imagine and the things that exist.

I present the thing we're going to do as a simple starting point. They all know it's an art piece and that it's all going to be recorded. And I have never had an experience where one of these men tried to take advantage of the situation. If they were guilty of anything it was of being lonely. It was never that they were violent or dangerous.

I find some comfort in running through the worst-case scenario in my mind and seeing how it's all going to go down.

I think my work is optimistic - as much as it is pathetic and funny and sad and ridiculous, at the end of the day it's about the hope that something will go right, and the constant wishing for a world where things might start to make sense.

I shot my undergraduate work on 35mm. I love the way it looks, but I haven't shot film in a while. If you can avoid scanning, it makes your practice faster. Oh, and I shoot a lot of Polaroid, too. I have about five hundred Polaroids from my film that I hope to show soon.

I'm always afraid going into strange places, but I also choose carefully and listen to my instincts. These were men I could trust. I'm a pretty good judge of crazy versus sad. I prefer sad.

A lot of people have said that the main thread in my work is loneliness or just wanting to create a world with someone who doesn't really have much in their life, so maybe I'm looking for someone who's lonely and wants to try to create something with me as a subject for my videos.