I present the thing we're going to do as a simple starting point. They all know it's an art piece and that it's all going to be recorded. And I have never had an experience where one of these men tried to take advantage of the situation. If they were guilty of anything it was of being lonely. It was never that they were violent or dangerous.

Sometimes it's good to get mad, sometimes it clarifies where we stand. I think that art has the ability to challenge and push, and that's great. That's better than great... it's necessary.

It's always a problem - you've got to figure out a place to put your body. You've got to wake up in the morning and deal with the fact that you have this body to lug around.

I think people like to have everything be perfectly morally clear. When the lines get blurred it worries them. I'm not worried. I don't think the men are either. But I think that the videos bring up feelings in people that they don't want to feel. Sometimes people get really mad. That's okay.

I shot my undergraduate work on 35mm. I love the way it looks, but I haven't shot film in a while. If you can avoid scanning, it makes your practice faster. Oh, and I shoot a lot of Polaroid, too. I have about five hundred Polaroids from my film that I hope to show soon.

[Photography] ties back into this feeling of wanting to watch things fall and the moment before they break. Fireworks are that way for me - this lovely thing that blows up and is gone. It all goes back to this desire to record things before they disappear - the original reason we take pictures, right?

People want movies to be one thing or another; they want it be fact or fiction.