I present the thing we're going to do as a simple starting point. They all know it's an art piece and that it's all going to be recorded. And I have never had an experience where one of these men tried to take advantage of the situation. If they were guilty of anything it was of being lonely. It was never that they were violent or dangerous.

The act of looking is brave. Especially if you look at things you can't handle. I think that most people do not look. If you're really paying attention you could have your heart broken twelve times a day. Most of the time we aren't looking.

I believe that I am some sort of fiction writer and I'm using myself in my work because I'm the person I'm most convenient to use!

Sometimes, photographs live in our hearts as unborn ghosts and we survive not because their shadows find permanence there, but because that thing that is larger than us, larger than the things we can point to, remember and claim, escorts us from dark into light.

I shot my undergraduate work on 35mm. I love the way it looks, but I haven't shot film in a while. If you can avoid scanning, it makes your practice faster. Oh, and I shoot a lot of Polaroid, too. I have about five hundred Polaroids from my film that I hope to show soon.

I wanted to tell stories that moved. Nothing stays the same, and that's why photography is important. The world flickers and changes, and that's why video is important.

[Photography] ties back into this feeling of wanting to watch things fall and the moment before they break. Fireworks are that way for me - this lovely thing that blows up and is gone. It all goes back to this desire to record things before they disappear - the original reason we take pictures, right?