[Photography] ties back into this feeling of wanting to watch things fall and the moment before they break. Fireworks are that way for me - this lovely thing that blows up and is gone. It all goes back to this desire to record things before they disappear - the original reason we take pictures, right?

Also, I'm drawn to moments of ambiguity, when things could go right or they could go wrong. I'm interested in discomfort. Discomfort is a place where we're still close enough to comfort to understand our unhappiness. Most of the things we desire are things that can destroy us.

I think that fact alone levels everything. Slapstick amazes me, the folly of humans today, the Ponzi schemes, giving birth to eight babies at once, it's amazing... And I know, it's horrible to have your money stolen and all that, but those are amazing stories.

If you can see a thing you don't have anymore it's very heartbreaking. To hold onto things longer than we actually can hold onto them is a desire. Writers and artists are trying to record these things they can no longer have. We're a heartbroken lot. Taking pictures is a brave act in which you try to explain and remember a thing you can't have anymore.

[Photography] ties back into this feeling of wanting to watch things fall and the moment before they break. Fireworks are that way for me - this lovely thing that blows up and is gone. It all goes back to this desire to record things before they disappear - the original reason we take pictures, right?

Things might not get better but they might not get worse. There's something sort of beautiful about that.

I'm interested in that hybrid - the place between the real world and my imagination. There's a friction that's created between the things we imagine and the things that exist.