I'm more interested in the idea of role-playing in general than the idea of role-playing in art. I like the childlike quality of making pretend or the optimistic idea of pretending something's happening when it's not.

I'm more interested in the idea of role-playing in general than the idea of role-playing in art. I like the childlike quality of making pretend or the optimistic idea of pretending something's happening when it's not.

I won't look it in the eye. As soon as I do, I get scared. You gotta walk the plank at some point, but at first you gotta put blinders on or you'll overthink things. I think it's dangerous, by the way, to do a lot of talks about your art, to do so much talking and so little making. You get the wrong idea about yourself.

Things might not get better but they might not get worse. There's something sort of beautiful about that.

[Photography] ties back into this feeling of wanting to watch things fall and the moment before they break. Fireworks are that way for me - this lovely thing that blows up and is gone. It all goes back to this desire to record things before they disappear - the original reason we take pictures, right?

There's such an energy created when the world is turned upside down, and when things are good again it's nice to take note. Then it goes away. Change. Change means friction. Friction happens where things aren't quite right, when everything is separating, when nothing is the same. Later you piece it back together.

The thing about death is that it's embarrassing. No one wants to focus on it for very long. We're happy to talk about sex all day long but no one wants to talk about the moment where it all ends.