Also, I'm drawn to moments of ambiguity, when things could go right or they could go wrong. I'm interested in discomfort. Discomfort is a place where we're still close enough to comfort to understand our unhappiness. Most of the things we desire are things that can destroy us.

The most amazing moments are when something horrible is about to happen or has just happened. The iceberg falling into the ocean. That aching moment. You can see the pieces, you can see how they fit together, but you can't put them back together.

Discomfort and awkwardness are places where you feel things. I'm a big advocate for being happy. We can choose to live in a happy bubble. But part of being happy is understanding how sad things can be.

I won't look it in the eye. As soon as I do, I get scared. You gotta walk the plank at some point, but at first you gotta put blinders on or you'll overthink things. I think it's dangerous, by the way, to do a lot of talks about your art, to do so much talking and so little making. You get the wrong idea about yourself.

I think it's a really good idea to be bumping into all kinds of people in all kinds of ways. So you make art with strangers. You give a reading. You move somewhere new and try to build a life. You grapple with humanity.

I wanted to tell stories that moved. Nothing stays the same, and that's why photography is important. The world flickers and changes, and that's why video is important.

I think it's a really good thing to put yourself in a situation where you feel really uncomfortable because I think things can come out of that discomfort.