I think it's a really good idea to be bumping into all kinds of people in all kinds of ways. So you make art with strangers. You give a reading. You move somewhere new and try to build a life. You grapple with humanity.

I shot my undergraduate work on 35mm. I love the way it looks, but I haven't shot film in a while. If you can avoid scanning, it makes your practice faster. Oh, and I shoot a lot of Polaroid, too. I have about five hundred Polaroids from my film that I hope to show soon.

I won't look it in the eye. As soon as I do, I get scared. You gotta walk the plank at some point, but at first you gotta put blinders on or you'll overthink things. I think it's dangerous, by the way, to do a lot of talks about your art, to do so much talking and so little making. You get the wrong idea about yourself.

The most amazing moments are when something horrible is about to happen or has just happened. The iceberg falling into the ocean. That aching moment. You can see the pieces, you can see how they fit together, but you can't put them back together.

I think most interesting people are socially awkward even if they're able to hide it most of the time. If Henry Darger hadn't been a shut-in would we love him so much? Any act that we do in private is amazing and profound because it is private. You don't have to worry about being socially awkward in the privacy of your own home... well, unless I show up.

I would always say I'm doing a video project. About dancing or birthday parties. Of course, the video becomes more than that. It goes deeper than that. But it's not a lie. It's a starting point.

It's always a problem - you've got to figure out a place to put your body. You've got to wake up in the morning and deal with the fact that you have this body to lug around.