People want movies to be one thing or another; they want it be fact or fiction.

I think that fact alone levels everything. Slapstick amazes me, the folly of humans today, the Ponzi schemes, giving birth to eight babies at once, it's amazing... And I know, it's horrible to have your money stolen and all that, but those are amazing stories.

A cupcake is like a great pop song. The whole world in less than three minutes. And it's impossible to have a bad cupcake. In New York you walk everywhere. So I'm always looking, always on the eternal search for the perfect cupcake. I take them very seriously. It's like hunting and gathering for me.

Well, my intention is to make work about being uncomfortable. About being in a world that isn't always the world you want to be part of. I talk a lot about the free fall, the moment in the scene where gravity takes over, and the beautiful awkwardness when gravity wins. Gravity is hilarious. Gravity always wins.

[Photography] ties back into this feeling of wanting to watch things fall and the moment before they break. Fireworks are that way for me - this lovely thing that blows up and is gone. It all goes back to this desire to record things before they disappear - the original reason we take pictures, right?

I think we're put out into the world to forge relationships with people. Those can be as small as buying coffee from someone or as large as a marriage. The important thing is that we try to make connections or have experiences with other humans. Otherwise what's the point of being on this earth?

I have very little interest in endlessly telling people about my artistic process. It sounds like throwing yourself against a wall and crying. It's not interesting to most people. It's interesting to yourself. But it's your problem, not anyone else's.