I came from a Sorkin-like project in the sense that there was no freedom to change a line, which, in a weird way, is its own freedom because you're living within that structure and know this is what it is. You just adjust. Every project has its own personality.

Well, it's more of a sane life to be part of an ensemble! I find that the work can be more specific too and I have to really make sure I know where I am in the story because I'm not in every scene.

I didn't grow up identifying with beauty. I grew up thinking I could be smart and funny - those are the things I got feedback on.

I have to introduce the part of me that feels like a winner to the part of me convinced I’m a loser, and see if they can’t agree to exist somewhere closer to the middle.

That's the thing that always stuck out to me - the idea that quantity becomes quality. I always took it to mean if you do anything enough, if you keep putting effort in, eventually something will happen, with or without you. You don't have to have faith when you start out, you just have to dedicate yourself to practice as if you have it.

None of my characters have really had jobs.

I am here to tell you there's nothing in people knowing you. There's actually a loss in that! Really, the reward in life is genuinely the day of work you have. It's not the name you're making for yourself or the clicks and likes - it's such an illusion.