Over and over in the play my character says, "I'm thirty-two years old," as if that should explain everything that's wrong in her life. I don't know what it's like to be thirty-two, but I can imagine. I imagine she means she's stuck in an in-between time, she's at an age that isn't a milestone but more of a no-man's-land, an age where she's feeling like her hopes are fading.

I think what my hope is is that the only downside of having a steady job on television is, I think for all actors, there's a piece, there's some adrenaline, and part of the love of the job is not knowing what's coming next, and the variety.

Anyone can smile on their best day. I like to meet a man who can smile on his WORST.

The best you can hope for is a great collaborator.

It's also show business. It's not "show fun friends".

Be truthful, say what you mean and mean what you say, don't ignore the given circumstances.

Getting anywhere you want is hard work. In this photography culture, everything looks so amazing. But it's actually very hard to get to where anybody gets.