Over and over in the play my character says, "I'm thirty-two years old," as if that should explain everything that's wrong in her life. I don't know what it's like to be thirty-two, but I can imagine. I imagine she means she's stuck in an in-between time, she's at an age that isn't a milestone but more of a no-man's-land, an age where she's feeling like her hopes are fading.

Over and over in the play my character says, "I'm thirty-two years old," as if that should explain everything that's wrong in her life. I don't know what it's like to be thirty-two, but I can imagine. I imagine she means she's stuck in an in-between time, she's at an age that isn't a milestone but more of a no-man's-land, an age where she's feeling like her hopes are fading.

I didn't grow up identifying with beauty. I grew up thinking I could be smart and funny - those are the things I got feedback on.

Growing up an only child with a single parent is probably why I'm an actor.

If I had a normal job and had been moving up, I'd be management level now.

My mother had lived in London since I was little, so she never got to see my school plays and stuff.

Personally, all I ever want to be wearing are jeans.