A good song to one person could just be something mediocre to somebody else. It's always strange thinking about how songs connect with people.

No matter how many people try, no matter how many fancy songwriters in Los Angeles try to break it down to a formula... to an extent, there isn't a science to writing great songs, I suppose. For me, it's always about melody - it doesn't matter what genre of music you're writing, if there's a strong melodic thing somewhere, whether that's in a vocal or in a guitar part or a sample. Something that sticks in your brain, that seems to be something that works.

I quite like being removed from the industry stuff so that when we're not on tour and we're writing, we're in a small room and you can't get out physically. I like that mental checking-out aspect - I think it's quite nice.

I'm abstaining from romance and the discussion of romance.

I love the hamster but I think if I took him on tour he might die.

I learned drumming as a second instrument because I didn't want to sing. Sometimes I would quite like to be left in the back, in the darkness by myself.

I feel like I would need to investigate and get some local tips. I think if I've learned anything from being on tour, it's that sometimes things you see in the guidebooks are stereotypically the best things to do, but there's no substitute for local knowledge on that stuff.