I’m Hana,” Hana says. “And this is Lena.” She jabs me with an elbow. I know I must look like a fish, standing there with my mouth gaping open, but I’m too outraged to speak. He’s lying. I know he’s the one I saw yesterday, would bet my life on it. “Alex. Nice to meet you.” Alex keeps his eyes on me as he and Hana shake hands. Then he extends a hand to me. “Lena,” he says thoughtfully. “I’ve never heard that name before.

..in that moment i realize how much i love the little everyday routines of my life..the details that are my life's special pattern, like how in handwoven rugs what really makes them unique are the tiny flaws in the stitching, little gaps and jumps and stutters that can never be reproduced. so many things become beautiful when you really look.

My parents were pretty liberal, but they were still parents. I definitely had my teenage rebellion.

Of all the miracles Po had seen in the time and space of its death, Po thought this--the absorption of another, the carrying of it--was the most bewildering and remarkable of all. Whenever Bundle separated again, Po was left with an ache of sadness that reminded the ghost of the body it had left behind.

I've learned to get really good at this - say one thing when I'm thinking about something else, act like I'm listening when I'm not, pretend to be calm and happy when I'm really freaking out. It's one of the skills you perfect as you get older

Additionally, Liesl and Po is the embodiment of what writing has always been for me at its purest and most basic--not a paycheck, certainly; not an idea, even; and not an escape. Actually, it is the opposite of an escape; it is a way back in, a way to enter and make sense of a world that occasionally seems harsh and terrible and mystifying. (From the "Author's Note" at the end).

I’m with Julian,” I say at last. This, after all, is what I have chosen.