And when it started to get dark you pointed to the sky, and told me there was a star for every thing you loved about me.

Fridays are the hardest in some ways: you’re so close to freedom.

Maybe he sees it on my face, that fraction of a second when I let my guard down, because in that moment his expression softens and his eyes go bright as flame and even though I barely see him move, suddenly he has closed the space between us and he’s wrapping his warm hands over my shoulders—fingers so warm and strong I almost cry out—and saying, “Lena. I like you, okay? That’s it. That’s all. I like you.” His voice is so low and hypnotic it reminds me of a song. I think of predators dropping silently from trees: I think of enormous cats with glowing amber eyes, just like his.

The alchemist was dazed and dumbfounded, as the true meaning of the magic was revealed: *The dead will rise from glade to glen and ancient will be young again*. The dead had, after all, risen. From dead and dry things there was growth, and new life everywhere. And the endlessly long winter had at last turned to spring. From life to death and back again to life. It was indeed the greatest magic in the world.

This is what amazes me: that people are new every day. That they are never the same. You must always invent them, and they must always invent themselves, too.

That is what hatred is. It will feed you and at the same time turn you to rot. It is hard and deep and angular, a system of blockades. It is everything and total. Hatred is a high tower. In the Wilds, I start to build, and to climb.

My first kiss. A new kind of kiss, like the new kind of music still playing, softly, in the distance - wild and arrhythmic, desperate. Passionate.