When I was four, I was a kind of sky worshipper. I would look at the sky, and I wanted to evaporate into the sky - I loved the sky. I loved looking at the trees, just because they touched the sky.

I know a lot of people who have weird specialties that are not taught in schools; they're things that you learn in life.

Audiences, whether they're seeing a film or a reading or whatever it is, a concert, they decide very quickly what kind of show it is, and then they judge it. They judge the rest of the thing by whether it conforms to their rules for what a good symphony orchestra would be.

Writers want to summarize: What does this mean? What did we learn from this? That's a very 19th-century way of thinking about art, because it assumes that it should make our lives better or teach us something.

I just sort of wish people would dance differently. It reminds me of teenage sex.

People who were born alone are defined by feelings like "Who's gonna be with me when I die? Who will ever understand me? Will I always feel so alone? Maybe if I write a book..." and you forget that that doesn't help you so much.

My job is to make images and leave the decision-making and conclusion-draw ing to other people.