Audiences, whether they're seeing a film or a reading or whatever it is, a concert, they decide very quickly what kind of show it is, and then they judge it. They judge the rest of the thing by whether it conforms to their rules for what a good symphony orchestra would be.

I really like books that you can kind of hear as much as think about, that are so graphic and visual.

People are really suffering these days. There's a lot of corporate triumph and a lot of personal despair as they wonder what are they working for.

I am a New Yorker, one; I'm an artist, two; I'm a woman, three.

If you're a young artist, wondering what to call yourself, consider 'multimedia artist.' It's so vague. Then, no one can say, 'Hey, how come you're a jazz person, and you're making a pop opera?

Writers want to summarize: What does this mean? What did we learn from this? That's a very 19th-century way of thinking about art, because it assumes that it should make our lives better or teach us something.

You know, for every dollar a man makes a woman makes 63 cents. Now, fifty years ago that was 62 cents. So, with that kind of luck, it’ll be the year 3,888 before we make a buck.