I don't see the direct correlation between my personal life and the novel I'm writing until I'm at the end of the novel or very close to it.

I don't see the direct correlation between my personal life and the novel I'm writing until I'm at the end of the novel or very close to it.

I don't mind being called a "feminist," as I certainly embrace the tenets of feminism, though it does feel a little sad to me that we need to call a novel "feminist" simply because the female characters are interesting and strong.

I'm a pop culture junkie. I'm a People magazine reader, an US Weekly subscriber; all of those celebrity magazines get my dollar.

I think it's still difficult to write about motherhood and anxiety, that talking about not wanting to be a mother or feeling ambivalent about motherhood makes people uneasy. The ambivalent mother is certainly much more interesting.

As soon as you start to question your own intent while you're still in the process of discovering your story, you're in trouble because you've pulled out of that unconscious space that is so necessary in the beginning of the drafting process.

What I find interesting and heartening, though, is that there does seem to be a shift in the subject matter being written about by women that is doing well in the culture. We're seeing more women writing dystopian fiction, more women writing novels set post-apocalyptic settings, subjects and themes that used to be dominated by men.