Usually at the core of fiction that has some element of the absurd there tends to be an examination of some societal ills that we should talk about more than we do. And it's funny, of course, so we have that release valve with absurdism. It offers us a safe way to explore difficult subject matter.

I feel that if I establish the world or the premise from the first line, then I can get the reader to come with me where I want her to go.

You're thinking about the continuum of life as you load the washing machine or scoop out the litter box.blue-girl-larger Or maybe that's just me. That seems to be an endlessly challenging and interesting way to live.

I don't see the direct correlation between my personal life and the novel I'm writing until I'm at the end of the novel or very close to it.

I'm a pop culture junkie. I'm a People magazine reader, an US Weekly subscriber; all of those celebrity magazines get my dollar.

To me, feminism in literature deals with the female characters being in some way central to the thematic concerns of the book, or that they are agents of change to some degree. In other words, the lens is focused deeply and intensely on the female characters and doesn't waver, which allows for a glimpse into the rich inner lives of the characters.

I tend to start with a fantastical premise, and then I place it in the world we know. Or, really, it places itself. Honestly, I feel that I have very little control of the magical aspect, as that's just what comes out for me.