I'm not conscious of my own themes as I write first drafts, no, and in fact, I work hard to stay in that unconscious space and not ask myself what the novel is about or what my metaphors might mean because then, I think, you're just dead in the water.

I think there's a fine line between being so obtuse that you lose the reader completely, which is the intention for some writers, though it isn't mine. I work hard at grounding the world as much as possible in the world we do recognize.

I'm not conscious of my own themes as I write first drafts, no, and in fact, I work hard to stay in that unconscious space and not ask myself what the novel is about or what my metaphors might mean because then, I think, you're just dead in the water.

My mom was a big Elvis fan and a general pop culture buff, and so I grew up in a house filled with what were then called "movie magazines,"Before Elvis when Rhona Barrett wrote her column about the stars. And so it seeped in.

As soon as you start to question your own intent while you're still in the process of discovering your story, you're in trouble because you've pulled out of that unconscious space that is so necessary in the beginning of the drafting process.

Having a magical element in a realistic setting without explanation seems to me to be the hallmark of fairy tales, which present us with a kind of metaphorical look at some aspect of our lives.

When a certain show or film or celebrity captures the imagination of the masses that has a good deal to say about us, I think, and what is happening in our collective psyche.