I'm not conscious of my own themes as I write first drafts, no, and in fact, I work hard to stay in that unconscious space and not ask myself what the novel is about or what my metaphors might mean because then, I think, you're just dead in the water.

I don't mind being called a "feminist," as I certainly embrace the tenets of feminism, though it does feel a little sad to me that we need to call a novel "feminist" simply because the female characters are interesting and strong.

I feel that if I establish the world or the premise from the first line, then I can get the reader to come with me where I want her to go.

As a reader I gravitate toward work that rests in the gray area, that doesn't come with easy answers.

Fundamentally I think we all write the kinds of work we'd most like to read. Or we try to.

It's amazing what you can accomplish when you know you have to hit the ground running.

To me, feminism in literature deals with the female characters being in some way central to the thematic concerns of the book, or that they are agents of change to some degree. In other words, the lens is focused deeply and intensely on the female characters and doesn't waver, which allows for a glimpse into the rich inner lives of the characters.