There is a primacy of each individual object. And we'll see! That's the whole point of making sculpture, to present a question in a physical form to people.

Artists try to ask questions, and within our society, unless there are artists, those questions don't get asked. And everybody blames the market.

There are people who speculate at objects. I don't think that makes them evil or not evil. It doesn't matter; in order to speculate, it has to be made public. Once it's made public, it's functioned is art.

There's a radical change in the relationship with the human being and society. Art now is an open conversation with the society. Previously there was a necessity for a little bit of screaming and shouting just to get it into the conversation.

Accreditation. The "doctorate of fine art." I've never heard something so stupid in my entire life.

As nice as some of the booths are, it's not the same thing. It's a pity for young artists, because one of the things that a younger artist can look forward to is an emerging dealer who has a space that they can take over and build whatever will suit whatever aesthetic they find themselves in. In an art fair, you turn yourself into an object.

Think about it: you've already related it down to something that somebody else can understand. If art relates to something - it's like Picasso, it's like Mondrian - it's not. Art's supposed to be what it is. Using a reference of art history might help for some kind of sales, but it doesn't really help anybody. Art is what it is; it cannot be footnoted, until it enters the world. Then it has a history. Then the footnotes are the history, not the explanation.