There is a primacy of each individual object. And we'll see! That's the whole point of making sculpture, to present a question in a physical form to people.

People, buying my stuff, can take it wherever they go and can rebuild it if they choose. If they keep it in their heads, that's fine too. They don't have to buy it to have it - they can just have it by knowing it.

In my work, it's simultaneously realities, instead of parallel. Simultaneous avoids the problem of alternate reality. In parallel reality, there's always a hierarchy, and there doesn't necessarily have to be a hierarchy. When you're in a palace like Blenheim, you're supposed to be in awe - why not be in awe of something different than the stuff they're showing you? It's about finding your own existential place.

In my eyes, making art is very often about something that you don't know.

There are people who speculate at objects. I don't think that makes them evil or not evil. It doesn't matter; in order to speculate, it has to be made public. Once it's made public, it's functioned is art.

We were brought up in a world which was based on Aristotle. Science-wise and everything, that's really quite exciting and you learn a lot. There was one problem: there were parallel realities. And in a parallel reality, there's always one reality that's the prime and the second is always a secondary. And everything's a reflection of something else.

Once you know about a work of mine you own it. There's no way I can climb inside somebody's head and remove it.