Genitive is a funny word because it means "from," but it also is the gender in European languages for objects: the masculine, feminine, and neuter. So if you have a genitive present, there's room for everybody to fit in. I just did a project in Vienna about rock, paper, scissor; you change the gender and it simply changes the whole thing. Rock is no longer a male. It doesn't function the same way.

I would imagine, a very large percentage of people who get something for art and they do something else, and they have some excess resources. And they trade those resources with artists whose work makes them feel good, or feel better, or question. And the artist, if they're smart, they use it to buy the most expensive thing in the world: time to make more. The more that come, the better it is for these people, their children, the people they care about, fills the society with a real constant thing.

I'm keeping everything on a human level, but essentially everything in our lives has to be on a human level. Any specification of something by art history doesn't make any sense. The point is, if you have a loving, adorable, supportive mother anywhere in the world and you tell her all of your dreams, all of your aspirations, and the reward you would like, and she understands you, then it's not worth doing.

Quantum physics - the idea that there is more than one reality going on at the same time in the same place. We live in a concentric society, and we'll have to make our decisions, cake as pie, as pending resolve. It's really and truly - I don't know if "as" will count any longer.

What art is not processed? "Conceptual art." Somebody making a painting has to conceive of the size. I don't understand where these words came from. I can't accept the fact that the concept of art as our concept of humanity is expanding.

Think about it: you've already related it down to something that somebody else can understand. If art relates to something - it's like Picasso, it's like Mondrian - it's not. Art's supposed to be what it is. Using a reference of art history might help for some kind of sales, but it doesn't really help anybody. Art is what it is; it cannot be footnoted, until it enters the world. Then it has a history. Then the footnotes are the history, not the explanation.

As nice as some of the booths are, it's not the same thing. It's a pity for young artists, because one of the things that a younger artist can look forward to is an emerging dealer who has a space that they can take over and build whatever will suit whatever aesthetic they find themselves in. In an art fair, you turn yourself into an object.