I only work in relation to what the work is about. Yes, of course, if the world's coming to an end I would basically try to get out of the way when the sky falls.
Lawrence WeinerI'm not against art fairs, in fact this last one I even made money, but the concept is really disgusting. If you're that rich to be able to hang out for two or three days, you're certainly rich enough to get on a plane and go to Munich or Dรผsseldorf or wherever and see somebody's real show instead of this stuff just stacked around.
Lawrence WeinerI stopped painting, not because I didn't like painting; the sensuality of it was fun. But I wasn't able to get to the point I wanted to.
Lawrence WeinerThe art schools seem to be trying to turn people out as "professional." But I don't know what the word "professional" means any longer. "Professional" would be somebody who was trying to push painting to a point that nobody else could do as well as he could. That would be my ideal professional.
Lawrence WeinerArt history is fine. I mean, that's a discipline. Art history is art history, and you start from the beginning and you end up in artist in time. But art is a little bit different. Art is a conversation. And if there's no conversation, what the hell is it about?
Lawrence WeinerThere is a discrepancy of somebody going to an art dealer and promising what they'll make for the next three years. And I'm old fashioned that way; I think that every exhibition you make is supposed to put you in the world, that the next exhibition is spinning off of that. It's almost like a riff. And if you know what you're going to do for the next three years, why don't just do it the final point? You would think, in a progressive situation, that the final would be the best.
Lawrence Weiner