All art is made from anger.

Once you know about a work of mine you own it. There's no way I can climb inside somebody's head and remove it.

I would imagine, a very large percentage of people who get something for art and they do something else, and they have some excess resources. And they trade those resources with artists whose work makes them feel good, or feel better, or question. And the artist, if they're smart, they use it to buy the most expensive thing in the world: time to make more. The more that come, the better it is for these people, their children, the people they care about, fills the society with a real constant thing.

Art that imposes conditions - human or otherwise - on the receiver for its appreciation in my eyes constitutes aesthetic fascism.

There's a radical change in the relationship with the human being and society. Art now is an open conversation with the society. Previously there was a necessity for a little bit of screaming and shouting just to get it into the conversation.

The concept of who your audience is becomes more important than your site. Sometimes you can be commissioned to do a piece in Strasburg, and it works. Sometimes you're commissioned to do a piece somewhere else and it doesn't work, but then it moves to another city, the people embrace it, and becomes part of them. You just misjudged the needs of the people. Art is about giving people material and things to work with to fulfill whatever needs they have.

Skills come with age, but wisdom, I doubt it very, very much.