What interested me the most was that when I [traveled to Europe] I knew what Joseph Beuys was doing, he knew what I was doing, and we both, we just started to talk. How did I know what Daniel Buren was doing, and to an extent, he knew exactly what I was doing? How did everybody know? It's an interesting thing. I'm still fascinated by it because, why is it now, with the Internet and everything else, you get whole groups of artists who have chosen to be regional? They really are only with the people they went to school with.

I only work in relation to what the work is about. Yes, of course, if the world's coming to an end I would basically try to get out of the way when the sky falls.

What interested me the most was that when I [traveled to Europe] I knew what Joseph Beuys was doing, he knew what I was doing, and we both, we just started to talk. How did I know what Daniel Buren was doing, and to an extent, he knew exactly what I was doing? How did everybody know? It's an interesting thing. I'm still fascinated by it because, why is it now, with the Internet and everything else, you get whole groups of artists who have chosen to be regional? They really are only with the people they went to school with.

The only art I'm interested in is the art I don't understand right away. If you understand it right away it really has no use except as nostalgia.

All art is made from anger.

There's a radical change in the relationship with the human being and society. Art now is an open conversation with the society. Previously there was a necessity for a little bit of screaming and shouting just to get it into the conversation.

Artists try to ask questions, and within our society, unless there are artists, those questions don't get asked. And everybody blames the market.