In the digital world we live in, there is no pixel who thinks they're better than any other pixel. And there is no pixel that will not work with another pixel to produce something. And when two pixels come together and have children, they'll place any attention to what the color is and nobody says anything.

The art schools seem to be trying to turn people out as "professional." But I don't know what the word "professional" means any longer. "Professional" would be somebody who was trying to push painting to a point that nobody else could do as well as he could. That would be my ideal professional.

I only work in relation to what the work is about. Yes, of course, if the world's coming to an end I would basically try to get out of the way when the sky falls.

Genitive is a funny word because it means "from," but it also is the gender in European languages for objects: the masculine, feminine, and neuter. So if you have a genitive present, there's room for everybody to fit in. I just did a project in Vienna about rock, paper, scissor; you change the gender and it simply changes the whole thing. Rock is no longer a male. It doesn't function the same way.

The only art I'm interested in is the art I don't understand right away. If you understand it right away it really has no use except as nostalgia.

Once you know about a work of mine you own it. There's no way I can climb inside somebody's head and remove it.

Art's supposed to build logic structures.