You can't tell a story linearly if you want people to understand.

I don't hold America responsible for the largely oppressive governments in the 22 Arab countries. There are repressive Arab governments that are our allies and there are those that are our nominal enemies. It doesn't make a whole lot of difference to what extent we're involved in propping up those governments.

It's the hardening of these narratives that makes peace so difficult. If each side can see the narrative, the claims that the other has, then there is a much more likely possibility of making a resolution. But what I see is the opposite. There is a total disclaiming of the validity of the other side, and talk that I find really unsettling, the kind of chatter you get from ultra-right Israelis and Hamas is of annihilation. In that kind of dialogue, there's no way to move toward peace.

Coolness is temporary. You can't capture it or create it, it has to be discovered. It has to do with the people that are in a place, not with monuments or institutions. It's a momentary conjunction of personalities.

There are many countries where you can only believe more or you can believe less. But in the United States we have this incredible smorgasbord, and it really interests me why people are drawn to one faith rather than another, especially to a system of belief that to an outsider seems absurd or dangerous.

Chronology can be dangerous. You can get so linear that it becomes robotic for the reader.

I read a lot of books. Here are the books I'm using for my 9/11 project. [Wright gestures to three six-foot-long shelves of books.] As I read them I highlight certain passages. Then I have an assistant write down each quote on an index card and note where it came from.