There are many countries where you can only believe more or you can believe less. But in the United States we have this incredible smorgasbord, and it really interests me why people are drawn to one faith rather than another, especially to a system of belief that to an outsider seems absurd or dangerous.

When I went to Egypt right after 9/11 I was very upset. I used to live in Egypt. I had a lot of friends there. I spent two years teaching there. I had very fond feelings for that part of the world, and the fact that a culture I liked so much had attacked my own culture was really very upsetting to me.

I think when I write movies and plays and books and magazine articles, they're all storytelling, and reality is the common denominator that binds them.

Every medium has its advantages and weaknesses and there are many things I can put down on paper that I might not be able to put into film or into a stage performance. In each form, one can communicate powerfully in different ways.

It's funny how sometimes historians sneer at journalists, yet they depend on us in the future for the material that they mine. You realize that some of the stories wouldn't have been told if you hadn't gotten to them. There is that sense of capturing a moment that was just about to go over the horizon.

Jimmy Carter is not loved in Israel, and yet no American president gave them a greater gift than Jimmy Carter gave them with peace with Egypt, and the opportunity to make peace with the Palestinians.

From the very beginning of this movement, Scientology has always been a very closeted organization. That aura of secrecy is something that the present-day management continues.