When I went to Egypt right after 9/11 I was very upset. I used to live in Egypt. I had a lot of friends there. I spent two years teaching there. I had very fond feelings for that part of the world, and the fact that a culture I liked so much had attacked my own culture was really very upsetting to me.

Every medium has its advantages and weaknesses and there are many things I can put down on paper that I might not be able to put into film or into a stage performance. In each form, one can communicate powerfully in different ways.

To me the notion that Palestinians are actually Jews is, I think, quite revelatory and very radical and a possible bridge that has been ignored, I think, in this entire controversy and there's ample evidence to support it.

Coolness is temporary. You can't capture it or create it, it has to be discovered. It has to do with the people that are in a place, not with monuments or institutions. It's a momentary conjunction of personalities.

You can't tell a story linearly if you want people to understand.

If we're talking about Sinai, we can't understand it without the 1967 and 1973 wars, and you can't understand it without the biblical story of Moses leading his people through the wilderness. These are essential elements in the modern conversation about what's going on in the Middle East that seem to have been lost.

I don't want to constantly be writing about terrorism and strife.