There are many different rivers that lead into despair: there's poverty; there's political repression; there's gender apartheid - there's a sense of culture loss; there's religious fanaticism.

Radicalism usually prospers in the gap between rising expectations and declining opportunities. This is especially true where the population is young, idle, and bored; where the art is impoverished; where entertainment—movies, theater, music—is policed or absent altogether; and where young men are set apart from the consoling and socializing presence of women.

In my couple of books, including Going Clear, the book about Scientology, I thought it seemed appropriate at the end of the book to help the reader frame things. Because we've gone through the history, and there's likely conflictual feelings in the reader's mind. The reader may not agree with me, but I don't try to influence the reader's judgment. I know everybody who picks this book up already has a decided opinion. But my goal is to open the reader's mind a little bit to alternative narratives.

Churches are tax exempt because they are supposed to provide a public good. To prove that good to the IRS, churches arent supposed to hoard their money. They are supposed to spend it on goods and services for the faithful. Under this pretense, the church has made massive investments in tax free real estate all over the world. And when it comes to labor costs, they are almost free.

I don't dispute Scientology can help people; I think that is a very important fact to keep in mind.

Science fiction invites the writer to grandly explore alternative worlds and pose questions about meaning and destiny.

Hubbard set up the Church of Scientology in Hollywood in 1954 for a reason. He understood that celebrity was increasingly a feature of American public life, and celebrities themselves were going to be worshipped as minor deities were in the ancient world. The idea was: if you could get them, think how many people would follow.