To me the notion that Palestinians are actually Jews is, I think, quite revelatory and very radical and a possible bridge that has been ignored, I think, in this entire controversy and there's ample evidence to support it.

Coolness is temporary. You can't capture it or create it, it has to be discovered. It has to do with the people that are in a place, not with monuments or institutions. It's a momentary conjunction of personalities.

I grew up in the American South, the segregated South. Now we have a black man who is president. It was an age of apartheid, and now that's over. It was an age of two superpowers frozen in a cold war, and now that's resolved. So history marches on, except for this Arab-Israel conflict, which seems to have a claim on being eternal.

There are many different rivers that lead into despair: there's poverty; there's political repression; there's gender apartheid - there's a sense of culture loss; there's religious fanaticism.

In my couple of books, including Going Clear, the book about Scientology, I thought it seemed appropriate at the end of the book to help the reader frame things. Because we've gone through the history, and there's likely conflictual feelings in the reader's mind. The reader may not agree with me, but I don't try to influence the reader's judgment. I know everybody who picks this book up already has a decided opinion. But my goal is to open the reader's mind a little bit to alternative narratives.

From the very beginning, when you go into Scientology your world narrows down very quickly.

I read a lot of books. Here are the books I'm using for my 9/11 project. [Wright gestures to three six-foot-long shelves of books.] As I read them I highlight certain passages. Then I have an assistant write down each quote on an index card and note where it came from.