It's funny how sometimes historians sneer at journalists, yet they depend on us in the future for the material that they mine. You realize that some of the stories wouldn't have been told if you hadn't gotten to them. There is that sense of capturing a moment that was just about to go over the horizon.

When I went to Egypt right after 9/11 I was very upset. I used to live in Egypt. I had a lot of friends there. I spent two years teaching there. I had very fond feelings for that part of the world, and the fact that a culture I liked so much had attacked my own culture was really very upsetting to me.

I read a lot of books. Here are the books I'm using for my 9/11 project. [Wright gestures to three six-foot-long shelves of books.] As I read them I highlight certain passages. Then I have an assistant write down each quote on an index card and note where it came from.

I feel like a 1960s graduate student. I still work on note cards. I've never found a better system.

Chronology can be dangerous. You can get so linear that it becomes robotic for the reader.

Look at what Jimmy Carter did. Look at the risks he took for a country that wasn't his. Israel has benefited unbelievably from that. To fail to give him credit seems unfair.

When I was trained as a journalist, as a race-relations reporter in Nashville covering the end of the civil-rights movement, we were strictly forbidden to use the first-person pronoun. There was kind of an electric charge around it. To come out from hiding and use the word 'I' carried a lot of fright for me.