I felt hopeful for the future because Obama is here. But nothing has changed. It's time for young kids to get serious again and really think about what their four fathers were like. As African-Americans, we are resilient, we are some bad mf-ers, and we are survivors. So get those i-pods out of their ears and become heroes again like the Freedom Riders.

I felt hopeful for the future because Obama is here. But nothing has changed. It's time for young kids to get serious again and really think about what their four fathers were like. As African-Americans, we are resilient, we are some bad mf-ers, and we are survivors. So get those i-pods out of their ears and become heroes again like the Freedom Riders.

I was always intrigued with European cinema, and hated most American cinema. I didn't like the one, two, three - boom! style, with a neat and tidy ending. That was never my scene.

I don't want to sell my soul to Hollywood - to just make run-of-the-mill stuff.

I can't do movies where you start thinking "Where's the commercial appeal? How are we going to market this?" It's not that kind of party.

I embrace the criticism, because ultimately (it means) the masses have seen it [my movie]. I embrace it for my father's story, for my mother's story, for my auntie, for my grandmother, who all got their teeth knocked out so I could be [where I am].

As a film director and as film actors, you get used to a certain rhythm that's slow. But with TV, it's hurry, hurry, hurry, hurry, hurry. It's a different pace. So, it's about adjusting to the pace. It's not meant for everybody.