Most writers want to share their essay or book much too quickly. Those who accept the pain of hard work and revising are those who get published.

The problem with reality TV is that creative writers are not involved; TV folks are, and some journalists who will only mine the surface of subjects. Hard work necessary for discovering and delineating the intimacies of the subjects they capture is mostly avoided.

Most writers want to share their essay or book much too quickly. Those who accept the pain of hard work and revising are those who get published.

As TV embedded itself into the national consciousness, it got us to remember how more than just the facts transmits truth and reality - and in fun, engaging ways. TV also showed us how telling our stories, confronting our own truths makes us and the people with whom we're sharing feel less lonely and alienated.

The myth of objectivity made nonfiction increasingly unread. In feature articles, we could be playful in the opening and clever in the end but in the middle it was back to the boring basics.

Blogging has helped create an expanded awareness of the creative nonfiction genre, generally. But I suspect many bloggers continue to be unaware that they are (or have the potential to be) "literary" or "artful."

And there are two types of stories. One type is one's own story. The other type is telling the stories of others. Thanks to this genre, writers of nonfiction can now use the tools of the reporter, the points of view and ear for dialog of a novelist, and the passion and wordplay of the poet.