I wasn't in a position that some other memoirists are, dealing with families who fed them meth, or kidnapped them, or did something that would make the writer not want to see that family again. I wanted to see my family. I wanted to celebrate them. I was proud of who we were, in the wilderness, floating down rapids or hiking over glaciers, and everywhere else.

While you can't keep your heart from getting broken, you can stop breaking your own heart...once you realize the difference between what you can control and what you can't, and that it's far, far more fun to lavish all that attention on your own self-worth.

When I was growing up, there were no cell phones and no roads into the bush, and so if something happened to your plane, that was serious. Nobody was coming to rescue you.

Maybe it's easier to think about dishonesty and what kind of trouble you can get into as a writer when love and honesty collide and you sidestep that collision, either because you want to protect somebody or you want to blame somebody - which are the usual impulses in love: protection and blame, frequently at the same time - so you don't exactly tell the truth.

It's much harder when you're writing about your life, than when you're writing fiction.

I was an only child. And it's very much my temperament. I remember playing with a piece of string in my room for hours. I had never thought about what it would be like to have siblings.

Even as my family fell apart and things were at their most hopeless, my dad and I found a lot of happiness in the wilderness - sleeping on the cold gravel and killing as many things as we could get our hands on. Even as my mom got progressively more crazy, we found a happiness, in flashes.