My dad felt pretty strongly that I know about the basic workings of a plane and so he taught me how to read and set the instruments, as well as the basics of taking off and landing.

There's a kind of intimacy that happens between a mother and an only child. Which only gets more intimate when it's between a mother and only daughter.

You see things really different when your father is so intimately, so indisputably in charge of your continued existence on the planet.

I'm pretty much of the Shakespearean school. Dialogue is character. How we speak is who we are.

When I was growing up, there were no cell phones and no roads into the bush, and so if something happened to your plane, that was serious. Nobody was coming to rescue you.

Resisting and avoiding pain sucks energy-and time. The more you let yourself feel those minute-and-a-half hells, the quicker you'll start feeling those minute-and-a-half happinesses.

Maybe it's easier to think about dishonesty and what kind of trouble you can get into as a writer when love and honesty collide and you sidestep that collision, either because you want to protect somebody or you want to blame somebody - which are the usual impulses in love: protection and blame, frequently at the same time - so you don't exactly tell the truth.