In mine, they were just trying to steal a briefcase of cocaine.* That's it. Some flour that I got out of my mom's cupboard.

When I started doing television, I thought that I would change the way that I shot, the way that I blocked, and the technical side of it. You're not going to change your relationship with the actors or how you approach the characters. That wasn't any different.

With Die Hard it was just something that I, you know, I grew up with those movies. I made a Die Hard movie with my friends in my backyard during high school. It was terrible.

In mine, they were just trying to steal a briefcase of cocaine.* That's it. Some flour that I got out of my mom's cupboard.

So I was drawing in a lot of the habit district in Brazil, put that together with an Asian influence, so there are a lot of different things in terms of architecture which assisted in the construction. Then every sci-fi movie I've grown up with from 'Blade Runner' to 'Aliens' and 'Star Wars.'"

I wanted to do something that dealt with more of paranormal techniques that wasn't a horror movie. It is an action movie that deals with a special operations group. But if a Tier One team went in to take out Bin Laden today, if you had those kind of abilities, of course you would use that kind of group. And it was more going into that arena. And I wanted to make it feel more like, grounded, as if we had this ability.

My family is Mormon. I'm not Mormon, but my family is, and my mom was like, "You're doing a show called Lucifer?! But I will admit, he is handsome, so I'll watch it."