I've always loved my own little office spaces no matter what they were like. It's the Virginia Woolf, room of one's own concept, it's really important.

When you're writing a script you have the option to embellish on life or switch the order of events or make it generally more cinematic. I would stick too closely to my own experience and not necessarily think about the fact that it needs to have an event happen. Realising that I could channel my own experience into a story that was slightly more cinematic was a very important moment for me - allowing myself to accept that the kind of screenwriting I'm doing is a work of fiction.

I have sort of a Zen body philosophy, I'm sort of like: we're one weight one day, we're one weight another day, and some day our body just doesn't even exist at all! It's just a vessel I've been given to move through this life. I think about my body as a tool to do the stuff I need to do, but not the be all and end all of my existence. Which sounds like I spent a week at a meditation retreat, but it's genuinely how I feel.

I deserved kisses. I deserved to be treated like a piece of meat but also respected for my intellect.

The current economic climate means getting out of college is no guarantee of getting a job, and no guarantee of a satisfying work life. My Dad feels that this is the first generation of Americans that expects that there children will have a harder time then they did. That's a fascinating concept.

It's okay to change your mind. About a feeling, a person, a promise of love.

I feel like a lot of the female relationships I see on TV or in movies are in some way free of the kind of jealousy and anxiety and posturing that has been such a huge part of my female friendships, which I hope lessens a little bit with age.