Everything that I make I use.

I want to do interiors, furniture. I want to do architecture, although I'm not an architect. Nor am I a trained interior designer.

I mean, there are only so many notes. What makes something original is how you put it together.

I'm definitely happy with everything I've done. I stand behind it. You'll always be saying, "Well, I could change that, or I would do that differently." But you have to let it be what it is.

I feel like I'm only in the beginning of my career. I've only made five albums. It's not a lot.

If you go to Japan, they're still buying vinyl, and they want the education. They know who's playing on what tracks from the '60s and the '70s - who the guitar player is, who the drummer is, who the producer was, what studio it was recorded in. That's how I grew up listening to music. We bought albums. We read the liner notes. It was important to know the whole history behind it.

When I'm doing interiors - especially the ones where you really have full creative freedom - it's about creating an environment for people to feel so comfortable and at ease. I want them to become inspired to live and feel better.