At 10 o'clock in the morning I'd go right in the studio. It feels good to be there in the morning before the day starts to mess with you - I don't mean in a negative way, but before I'd speak to a lot of people or get into anything, I'd go in there and just see what I felt. A lot happens in the morning for me in the studio.

If you go to Japan, they're still buying vinyl, and they want the education. They know who's playing on what tracks from the '60s and the '70s - who the guitar player is, who the drummer is, who the producer was, what studio it was recorded in. That's how I grew up listening to music. We bought albums. We read the liner notes. It was important to know the whole history behind it.

I'm sure great scripts are hard to find, but I'm definitely open, and waiting to see what comes my way.

If you ask a hundred people, they all give you different answers.

People feel they have to live that stereotypical lifestyle in order to be a rock star. You don't have to shoot heroin and act a certain way to be a rock and roll musician.

I wasn't the kind of person that liked waiting for autographs or following them, I just liked to go to the shows, study their records, driving many, many hours to different states to go to concerts.

I always read the Capitol as f—ked up pansexuality, everybody is doing everybody. Back to Greek and Roman times! It’s all happening.