What I do and what I record only work for the moment.

It can even be a single note which defines the entire song.

I extract what I consider the best material from different sources. But often the material I perform comes from a very strange location in history, which are minstrel shows.

Who told you I was a musician?

I think of these things as obstacles rather than opportunities, because if they were opportunities it means I actually took the business of doing them seriously. To take myself too seriously is the gentle kiss of death.

What I do and what I record only work for the moment.

The only thing that interests me is history - reviewing the past and making something out of it.